{"id":157,"date":"2016-11-12T19:27:51","date_gmt":"2016-11-12T19:27:51","guid":{"rendered":"http:\/\/veneziela-naydenova.com\/?page_id=157"},"modified":"2024-12-17T15:57:16","modified_gmt":"2024-12-17T14:57:16","slug":"composition","status":"publish","type":"page","link":"https:\/\/veneziela-naydenova.com\/?page_id=157","title":{"rendered":"Composition"},"content":{"rendered":"<blockquote>\n<p style=\"text-align: right;\"><span style=\"color: #808080;\"><span class=\"Apple-style-span\"><i><em>N&rsquo;\u00e9cris que ce qui chante en toi. <\/em><\/i>(<\/span>S. Rachmaninov)<\/span><\/p>\n<\/blockquote>\n<p>Veneziela Naydenova compose pour instruments solistes, ch\u0153ur et ensembles de musique de chambre.<br \/>\nElle a aussi r\u00e9alis\u00e9 des nouvelles orchestrations de l\u2019op\u00e9ra <em>Le Chalet<\/em> d\u2019A. Adam, du <em>Laudate dominum<\/em> de Mozart, ainsi que divers arrangements, notamment de transcriptions de chants orthodoxes.<\/p>\n<p><span style=\"color: #339966;\"><strong>Compositions:<\/strong><\/span><\/p>\n<p><span style=\"color: #339966;\"><strong>Musique soliste<\/strong><\/span><em><br \/>\n<\/em><strong><em>Chant<\/em><\/strong><em> pour clarinette solo <\/em>(1995),<em> \u00c9ditions Pizzicato Helvetia, <\/em>PVN 1539, 2010.<em><br \/>\n<strong>Ivan et Bruno en Phoquonie<\/strong><\/em>, Conte musical pour piano \u00e0 4 mains, d\u00e9dicac\u00e9 \u00e0 Ivan, 1995-2009, <em>Ms<\/em><br \/>\n<strong><em>Premessa <\/em><\/strong>(1995) per organo<em>, Ms<\/em><em><br \/>\n<\/em><strong><em>Samodivska <\/em><\/strong>(1997) pour contrebasse et contralto, <em>Ms<\/em><br \/>\n<strong><em>3 Strophes <\/em><\/strong>(2013) pour violon solo,\u00a0d\u00e9dicac\u00e9 \u00e0 Denitsa Kazakova.<br \/>\n<strong><em>Le Clown <\/em><\/strong>(2016) pi\u00e8ce pour piano, \u00c9DITIONS LYRA, NEUCH\u00c2TEL, 2024.<br \/>\n<strong><em>Ancien choral bulgare <\/em><\/strong>(2016), pi\u00e8ce pour piano, d\u00e9dicac\u00e9 \u00e0 Ivan, \u00c9DITIONS LYRA<span class=\"Apple-converted-space\">, <\/span>NEUCH\u00c2TEL, 2024.<br \/>\n<strong><em>L&rsquo;Oiseau<\/em><\/strong> (2017), pi\u00e8ce pour piano, \u00c9DITIONS LYRA, NEUCH\u00c2TEL, 2024.<br \/>\n<strong><em>Praeludium<\/em><\/strong> (2018) pour piano<br \/>\n<strong><em>Dream Images<\/em><\/strong> (2018) pour piano<\/p>\n<p><span style=\"color: #339966;\"><strong>Musique d&rsquo;ensemble<br \/>\n<\/strong><\/span><em><strong>Des pas vers les \u00e9toiles <\/strong><\/em>(2018) pour cordes et percussions<\/p>\n<p><span style=\"color: #339966;\"><strong>Musique vocale et instrument(s)<\/strong><\/span><em><br \/>\n<\/em><strong><em>Herido de Amor <\/em><\/strong>(2011) pour chant et piano<em>, <\/em>texte de\u00a0Federico Garsia Lorca (1898-1936)<strong><em>, <\/em><\/strong><em>Ms<\/em><strong><em><br \/>\nWe pray for our planet <\/em><\/strong>pour solistes, ch\u0153ur mixte, petit orchestre avec orgue, texte\u00a0<em>We pray for Japan<\/em>\u00a0(A la m\u00e9moire des victimes de Fukushima, 2011) de\u00a0Paolo Coelho (*1947); Variant pour ch\u0153ur mixte et piano, <em>Ms<\/em><strong><em><br \/>\n<\/em><\/strong><strong><em>Le No\u00ebl des bergers <\/em><\/strong>(2014) pour ch\u0153ur \u00e0 3 voix \u00e9gales (SSA) et piano. Texte Jacques Bron (1927-2015). \u00c9ditions <em>Labatiaz<\/em>, 2014, EMB 2873.<br \/>\n<strong><em>Ratafiole <\/em><\/strong>(2017) pour soprano et piano sur un ha\u00efku de Pierre Hugli, <em>Ms<\/em><br \/>\n<strong><em>Traum der eig&rsquo;nen Tage<\/em><\/strong> \/ \u00c0 la mani\u00e8re de Schumann (2018) for soprano and piano, Text : Adelbert von Chamisso (1781 \u2013 1838)<\/p>\n<p><span style=\"color: #339966;\"><strong>Musique vocale<em> a cappella<\/em><\/strong><\/span><strong><em><br \/>\nA chantar<\/em><\/strong> (1996) pour ch\u0153ur de dames (SSSAAA), texte de Comtesse de Die (XII<sup>e<\/sup>\u00a0s.),<em> Editions\u00a0Charles Huguenin<\/em>, 2011.<br \/>\n<strong><em>Chant<\/em><\/strong> (2002 )pour ch\u0153ur d&rsquo;hommes,\u00a0po\u00e8me de Fran\u00e7oise Surdez, <em>\u00c9ditions Charles Huguenin<\/em>, CH 2275<br \/>\n<strong><em>Chocolat suisse <\/em><\/strong>(2008) pour ch\u0153ur mixte, \u00c9DITIONS LYRA, NEUCH\u00c2TEL, 2024.<br \/>\n<strong><em>L&rsquo;Esp\u00e9rance <\/em><\/strong>(2008) pour ch\u0153ur mixte, po\u00e8me d&rsquo;Alice de Chambrier (1861-1882), <em>\u00c9ditions Charles Huguenin<\/em>, CH 2216<br \/>\n<strong><em>Notre chanson<\/em><\/strong> (2010) pour 3 voix \u00e9gales, prix concours de composition, <em>Verlag Schweizer Singbuch<\/em>, Songbook SKJF,\u00a02011;<br \/>\n<strong><em>Notre chanson <\/em><\/strong>(2016), Version pour ch\u0153ur mixte<strong><em>.<br \/>\nTebe poem<\/em><\/strong> (2015), pour ch\u0153ur mixte<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N&rsquo;\u00e9cris que ce qui chante en toi. (S. Rachmaninov) Veneziela Naydenova compose pour instruments solistes, ch\u0153ur et ensembles de musique de chambre. Elle a aussi r\u00e9alis\u00e9 des nouvelles orchestrations de l\u2019op\u00e9ra Le Chalet d\u2019A. Adam, du Laudate dominum de Mozart, ainsi que divers arrangements, notamment de transcriptions de chants orthodoxes. Compositions: Musique soliste Chant pour&hellip;<a href=\"https:\/\/veneziela-naydenova.com\/?page_id=157\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Composition<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":17,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-157","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9rIUe-2x","_links":{"self":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=157"}],"version-history":[{"count":31,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/157\/revisions"}],"predecessor-version":[{"id":2176,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/157\/revisions\/2176"}],"up":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/17"}],"wp:attachment":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}