{"id":1510,"date":"2020-08-03T10:42:43","date_gmt":"2020-08-03T09:42:43","guid":{"rendered":"http:\/\/veneziela-naydenova.com\/?page_id=1510"},"modified":"2025-12-29T10:55:58","modified_gmt":"2025-12-29T09:55:58","slug":"publications","status":"publish","type":"page","link":"https:\/\/veneziela-naydenova.com\/?page_id=1510","title":{"rendered":"Publications"},"content":{"rendered":"\n<p><strong>Livres:<\/strong><br><em><em><mark style=\"background-color:rgba(0, 0, 0, 0);color:#f71307\" class=\"has-inline-color\">L\u2019\u0152UVRE VOCALE&nbsp;ET&nbsp;SC\u00c9NIQUE&nbsp;D\u2019EDISON DENISOV<\/mark><\/em><\/em><br>Editions Lyra, Neuch\u00e2tel, 2023, 768 p. <br>ISBN 978-2-8399-3857-0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"690\" height=\"1024\" src=\"http:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre-690x1024.png\" alt=\"\" class=\"wp-image-1962\" style=\"width:178px;height:264px\" srcset=\"https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre-690x1024.png 690w, https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre-202x300.png 202w, https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre-768x1140.png 768w, https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre-1035x1536.png 1035w, https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Naydenova-Veneziela_Edison-Denisov_Couverture-livre.png 1078w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><\/figure>\n\n\n\n<p>\u00ab\u00a0Galina Ustvolskaja, Sofi\u00e2 Gubajdulina: des compositrices russes de l&rsquo;autre c\u00f4t\u00e9 du rideau de fer\u00a0\u00bb, in <br><a href=\"https:\/\/www.slatkine.com\/fr\/slatkine-reprints-erudition\/76024-book-07102943-9782051029438.html\"><em>LES SILENCES DE LA MUSIQUE. \u00c9CRIRE L\u2019HISTOIRE DES COMPOSITRICES<\/em><\/a> <br>sous la direction de Delphine Vincent et Pauline Milani, pp. 31-52, Slatkine \u00c9rudition, Gen\u00e8ve, 2024.<br>\u00abLe m\u00e9tier de compositeur se conjugue principalement au masculin. Pourtant, les femmes ont \u00e9t\u00e9 nombreuses \u00e0 composer, et ce bien avant le XXIe si\u00e8cle. Longtemps tol\u00e9r\u00e9es aux marges de cet art, elles ont \u00e9t\u00e9 progressivement d\u00e9l\u00e9gitim\u00e9es au point de dispara\u00eetre de la m\u00e9moire collective.\u00bb On peut voir la table des mati\u00e8res ici: <a href=\"https:\/\/www.slatkine.com\/fr\/index.php?fbclid=IwAR1DaObhpoWGpWUopz4esIDr7hLR_axt6wzkuX8MwxSSvPEobj7rW6RI58E_aem_AZRnTcNTx8S95spdEoek9x10oEVVTOEKkuhnoiPsE3ABcFwrbx0_maTSRRmU5G1O8qwFG08m6pvuD4QLA-x6VxHs\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.slatkine.com\/fr\/index.php<\/a><br>Prix: 26.00 CHF<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"419\" height=\"656\" src=\"https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Couverture-Les-silences-de-la-musique.jpg\" alt=\"\" class=\"wp-image-1988\" style=\"width:224px;height:350px\" srcset=\"https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Couverture-Les-silences-de-la-musique.jpg 419w, https:\/\/veneziela-naydenova.com\/wp-content\/uploads\/Couverture-Les-silences-de-la-musique-192x300.jpg 192w\" sizes=\"auto, (max-width: 419px) 100vw, 419px\" \/><\/figure>\n\n\n\n<p>\u00ab\u00a0Friedrich D\u00fcrrenmatt et l&rsquo;op\u00e9ra\u00a0\u00bb, in<br><em>Lotti &amp; Friedrich D\u00fcrrenmatt \u2013 Musique,<\/em> <br>Edition Centre D\u00fcrrenmatt Neuch\u00e2tel, Cahier N\u00b0 37 (2025)<\/p>\n\n\n\n<p>Revue de presse: <br>Le Temps, 10.04.2024: \u00e0 lire&nbsp;<a href=\"https:\/\/www.letemps.ch\/culture\/musiques\/la-musicologue-delphine-vincent-met-les-compositrices-a-l-honneur\" target=\"_blank\" rel=\"noreferrer noopener\">ici<\/a>. <br><em>La Libert\u00e9<\/em>, 26.04.2024: une interview de Delphine Vincent et Pauline Milani, \u00e0 lire&nbsp;<a href=\"https:\/\/www.laliberte.ch\/news\/culture\/musique\/musique-un-livre-revele-l-ampleur-de-la-discrimination-des-compositrices-727982?&amp;utm_source=news&amp;utm_medium=web&amp;utm_campaign=redirection_from_home\" target=\"_blank\" rel=\"noreferrer noopener\">ici<\/a>.<\/p>\n\n\n\n<p><em>100 [Cent] ans de formation musicale dans le canton de Neuch\u00e2tel<\/em>, <br>Responsable d\u2019\u00e9dition&nbsp;: Veneziela Naydenova<br>Conservatoire de musique neuch\u00e2telois, Neuch\u00e2tel, 2017.&nbsp;<br>ISBN: 978-2-8399-1992-0.<\/p>\n\n\n\n<p><strong>Articles dans des revues sp\u00e9cialis\u00e9es<\/strong><\/p>\n\n\n\n<p><strong>Journalisme musical<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Livres:L\u2019\u0152UVRE VOCALE&nbsp;ET&nbsp;SC\u00c9NIQUE&nbsp;D\u2019EDISON DENISOVEditions Lyra, Neuch\u00e2tel, 2023, 768 p. ISBN 978-2-8399-3857-0 \u00ab\u00a0Galina Ustvolskaja, Sofi\u00e2 Gubajdulina: des compositrices russes de l&rsquo;autre c\u00f4t\u00e9 du rideau de fer\u00a0\u00bb, in LES SILENCES DE LA MUSIQUE. \u00c9CRIRE L\u2019HISTOIRE DES COMPOSITRICES sous la direction de Delphine Vincent et Pauline Milani, pp. 31-52, Slatkine \u00c9rudition, Gen\u00e8ve, 2024.\u00abLe m\u00e9tier de compositeur se conjugue principalement&hellip;<a href=\"https:\/\/veneziela-naydenova.com\/?page_id=1510\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Publications<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":159,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-1510","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9rIUe-om","_links":{"self":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/1510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1510"}],"version-history":[{"count":22,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/1510\/revisions"}],"predecessor-version":[{"id":2373,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/1510\/revisions\/2373"}],"up":[{"embeddable":true,"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/159"}],"wp:attachment":[{"href":"https:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}