{"id":243,"date":"2016-11-12T21:03:01","date_gmt":"2016-11-12T21:03:01","guid":{"rendered":"http:\/\/veneziela-naydenova.com\/?page_id=243"},"modified":"2026-10-02T16:23:43","modified_gmt":"2026-10-02T15:23:43","slug":"concerts","status":"publish","type":"page","link":"http:\/\/veneziela-naydenova.com\/?page_id=243","title":{"rendered":"Past Performances | Veneziela Naydenova"},"content":{"rendered":"

2026<\/span><\/h3>\n

CONCERT
\n6 juin 2026, Temple de Saint-Blaise (NE)
\n\u00ab\u2009LES COMPOSITRICES DE NOTRE TEMPS\u2009\u00bb
\nIrina-Kalina Goudeva (contrebasse et voix) et Veneziela Naydenova (pr\u00e9sentation et piano)
\nAvec la participation de Milo, Emma et Keven, \u00e9l\u00e8ves de la classe de piano de V. Naydenova au CMNE.<\/p>\n

Le Clown<\/em><\/strong>, Emma Deleglise (piano)<\/span>
\nLes octaves<\/em><\/strong>, Keven Deleglise (piano)
\n<\/em>WP L\u2019inqui\u00e9tude<\/em><\/strong>, Milo Ragnieri (piano)
\nAncien choral bulgare<\/em><\/strong>, Veneziela Naydenova (piano)
\n<\/em><\/strong><\/span>Dream Images<\/em><\/strong>, Veneziela Naydenova (piano)
\n<\/span><\/span><\/p>\n

AUDIION
\n13 juin 2026, Neuch\u00e2tel, Auditorium I, CMNE
\nPi\u00e8ces pour piano:
\nLe Clown<\/em><\/strong>, Emma Deleglise (piano)
\n<\/span>L’Oiseau<\/em><\/strong>, Jade Borgeaud (<\/span>piano)
\n<\/span>Les octaves<\/em><\/strong>, Keven Deleglise (piano)<\/span>
\nL\u2019inqui\u00e9tude<\/em><\/strong>, Milo Ragnieri (piano)<\/span><\/span><\/p>\n

2025<\/span><\/h3>\n

\u041a\u041e\u041d\u0426\u0415\u0420\u0422<\/span>
\n7.06.2025, Sofia<\/span>
\n\u041a\u0430\u043c\u0435\u0440\u043d\u0430 \u0437\u0430\u043b\u0430 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, \u0421\u043e\u0444\u0438\u044f<\/span>
\n\u0421\u043e\u0444\u0438\u0439\u0441\u043a\u0438 \u043c\u0443\u0437\u0438\u043a\u0430\u043b\u043d\u0438 \u0441\u0435\u0434\u043c\u0438\u0446\u0438<\/a><\/span>
\n\u041f\u043e\u0440\u0442\u0440\u0435\u0442 \u043d\u0430 \u0412\u0435\u043d\u0435\u0446\u0438\u0435\u043b\u0430 \u041d\u0430\u0439\u0434\u0435\u043d\u043e\u0432\u0430<\/span>
\n\u0421 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u0442\u043e \u043d\u0430 <\/span>\u0410\u043d\u0434\u0440\u0438\u0430\u043d\u0430 \u0419\u043e\u0440\u0434\u0430\u043d\u043e\u0432\u0430 (\u0441\u043e\u043f\u0440\u0430\u043d), \u0410\u043d\u043d\u0430 \u0424\u0443\u0440\u043d\u0430\u0434\u0436\u0438\u0435\u0432\u0430 (\u0446\u0438\u0433\u0443\u043b\u043a\u0430), \u0418\u0440\u0438\u043d\u0430-\u041a\u0430\u043b\u0438\u043d\u0430 \u0413\u0443\u0434\u0435\u0432\u0430 (\u043a\u043e\u043d\u0442\u0440\u0430\u0431\u0430\u0441), <\/span>\u0420\u043e\u0441\u0435\u043d \u0418\u0434\u0435\u0430\u043b\u043e\u0432 (\u043a\u043b\u0430\u0440\u0438\u043d\u0435\u0442), <\/span>\u0421\u0442\u0435\u0444\u0430\u043d \u0411\u043e\u044f\u0434\u0436\u0438\u0435\u0432 (\u043f\u0438\u0430\u043d\u043e), \u0412\u0435\u043d\u0435\u0446\u0438\u0435\u043b\u0430 \u041d\u0430\u0439\u0434\u0435\u043d\u043e\u0432\u0430 (\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f \u0438 \u043f\u0438\u0430\u043d\u043e)<\/span><\/p>\n

2024<\/span><\/h3>\n

\u041a\u041e\u041d\u0426\u0415\u0420\u0422
\n9.10.2024, Varna
\n\u0413\u0440\u0430\u0434\u0441\u043a\u0430 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u0430 \u0433\u0430\u043b\u0435\u0440\u0438\u044f \u201e\u0411\u043e\u0440\u0438\u0441 \u0413\u0435\u043e\u0440\u0433\u0438\u0435\u0432\u201c \u0412\u0430\u0440\u043d\u0430
\n\u0410\u0432\u0442\u043e\u0440\u0441\u043a\u0438 \u043a\u043e\u043d\u0446\u0435\u0440\u0442 \/ \u041f\u043e\u0440\u0442\u0440\u0435\u0442 \u043d\u0430 \u0412\u0435\u043d\u0435\u0446\u0438\u0435\u043b\u0430 \u041d\u0430\u0439\u0434\u0435\u043d\u043e\u0432\u0430<\/span>
\n\u0421 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u0442\u043e \u043d\u0430 \u0410\u043d\u0434\u0440\u0438\u0430\u043d\u0430 \u0419\u043e\u0440\u0434\u0430\u043d\u043e\u0432\u0430 (\u0441\u043e\u043f\u0440\u0430\u043d), \u0410\u043d\u043d\u0430 \u0424\u0443\u0440\u043d\u0430\u0434\u0436\u0438\u0435\u0432\u0430 (\u0446\u0438\u0433\u0443\u043b\u043a\u0430), \u0413\u0435\u0440\u0433\u0430\u043d\u0430 \u0425\u0440\u0438\u0441\u0442\u043e\u0432\u0430 (\u043a\u043b\u0430\u0440\u0438\u043d\u0435\u0442), \u0421\u0442\u0435\u0444\u0430\u043d \u0411\u043e\u044f\u0434\u0436\u0438\u0435\u0432 (\u043f\u0438\u0430\u043d\u043e), \u0412\u0435\u043d\u0435\u0446\u0438\u0435\u043b\u0430 \u041d\u0430\u0439\u0434\u0435\u043d\u043e\u0432\u0430 (\u043a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f \u0438 \u043f\u0438\u0430\u043d\u043e)
\n<\/span><\/p>\n

Concert
\n29.10.2024, 19:30, Lyceum club de Neuch\u00e2tel, Rue des Beaux-Arts 11, 2000 Neuch\u00e2tel
\n<\/span>Le f\u00e9minin et la cr\u00e9ation f\u00e9minine<\/i>
\n<\/i><\/b>Cycle \u00ab\u2009LES COMPOSITRICES DE NOTRE TEMPS\u2009\u00bb
\n<\/b><\/span>Portrait de Veneziela NAYDENOVA<\/span>
\nMonique Volery (soprano), Denitsa Kazakova (violon), <\/span>Irina-Kalina Goudeva (contrebasse),<\/span>
\nYvan Tschopp (clarinette), Veneziela Naydenova (piano).
\nAvec la participation de <\/span><\/span>Emma Deleglise, <\/span>Jade Borgeaud<\/span>, <\/span>Keven Deleglise et Fleur Liurette, \u00e9l\u00e8ves de la classe de piano de V. Naydenova au CMNE<\/span><\/span><\/p>\n

2022<\/span><\/h3>\n

CONCERT
\nCompositrices: V. Naydenova
\nF\u00eate des claviers,<\/em> CMNE, 11.06.2022, Le Locle.
\nIvan et Bruno en Phoquoni<\/em><\/strong>e, 1. On part en voyage, 4. Berceuse,\u00a0Duo Keven et Emma Deleglise.
\nLe Clown<\/em><\/strong>, Emma Deleglise\u00a0
\n<\/em><\/strong><\/span>L’Oiseau<\/em><\/strong>, Jade Borgeaud <\/span>(piano)
\n<\/span>Les septi\u00e8mes,\u00a0<\/em><\/strong>Tommaso Martucci (piano)
\nLes octaves<\/em><\/strong>, Keven Deleglise (piano)
\nAncien choral bulgare<\/em><\/strong>, Veneziela Naydenova (piano)
\n<\/em><\/strong><\/span>Dream Images<\/em><\/strong>, Veneziela Naydenova (piano)
\n<\/em><\/strong><\/span>3 Strophes\u00a0<\/em><\/strong>pour violon solo, Denitsa Kazakova (violon)<\/span><\/span><\/p>\n

Ivan et Bruno en Phoquoni<\/em><\/strong>e,
\n1. On part en voyage, 4. Berceuse, Duo Keven et Emma Deleglise (piano \u00e0 4 mains)
\n9.06.2022, F\u00eate des claviers,<\/em> CMNE, Neuch\u00e2tel.<\/span><\/p>\n

Ivan et Bruno en Phoquonie<\/strong>, <\/em>conte musical pour piano \u00e0 quatre mains,
\n1. On part en voyage, <\/em>4. Berceuse.<\/em>
\n<\/span>4.03.2022, Concours Suisse de Musique pour la Jeunesse,<\/em> Neuch\u00e2tel.
\n<\/span>Duo Keven et Emma Deleglise.<\/span><\/p>\n

2021<\/span><\/h3>\n

Herido de Amor
\n<\/span><\/i><\/em><\/strong>21.10.2021 au Lyceum club de La Chaux-de-Fonds;
\n30.10.2021 au\u00a0Conservatoire de Zurich (Swiss Female Composers Festival).
\nMonique Volery (soprano), Veneziela Naydenova (piano)<\/span>
\n<\/span><\/span><\/p>\n

Ratafiole<\/em><\/strong> (2017) pour soprano et piano
\nHa\u00efku de Pierre Hugli (*1939)
\n21.10.2021 au Lyceum club de La Chaux-de-Fonds;
\n30.10.2021 au\u00a0Conservatoire de Zurich (Swiss Female Composers Festival).
\nMonique Volery (soprano), Veneziela Naydenova (piano)<\/span><\/span><\/span>
\n<\/span><\/p>\n

Traum der eig\u2019nen Tage<\/em><\/strong> \/ \u00c0 la mani\u00e8re de Schumann (2018),<\/span>
\nTexte : Adelbert von Chamisso (1781 \u2013 1838)<\/span>
\n21.10.2021 au Lyceum club de La Chaux-de-Fonds;<\/span>
\n30.10.2021 au\u00a0Conservatoire de Zurich (Swiss Female Composers Festival<\/em>).<\/span>
\nMonique Volery (soprano), Veneziela Naydenova (piano)<\/span><\/span><\/span><\/p>\n

Minotaure
\nPraeludium<\/span><\/i><\/em><\/strong> (2018), Veneziela Naydenova (piano)<\/span><\/span>
\nDream Images<\/span><\/i><\/em><\/strong> (2018), Veneziela Naydenova (piano)<\/span>
\n27.06.2021\u00a0\u00e0 Saignel\u00e9gier<\/span><\/span><\/p>\n

WP\u00a0Des pas vers les \u00e9toiles<\/em><\/strong>\u00a0<\/strong>(2018) pour cordes et percussions<\/span>
\n12 avril 2021, Orchestre de Chambre de Lausanne, Baldur Br\u00f6nnimann, direction.<\/span><\/p>\n

2019<\/span><\/h3>\n

Minotaure
\nPraeludium<\/em><\/strong> (2018) pour piano
\nDream Images<\/em><\/strong> (2018) pour piano
\n<\/em><\/strong>16.11.2019, Concordia Festival<\/em>, Espace Consonance, Saxon (VS)<\/span>
\n17.11.2019, Concordia Festival<\/em>, Fondation de Wolff, Sion (VS)<\/span>
\n21.11.2019, Concerts de Montbenon<\/em>, Lausanne (VD)<\/span>
\n22, 23, 24.11.2019, Th\u00e9\u00e2tre de Passage, Neuch\u00e2tel (NE)<\/span><\/p>\n

Le No\u00ebl des bergers<\/em><\/strong>, texte Jaques Bron<\/span>
\n21.12.2017, Concerts \u00e0 St-Blaise et \u00e0 Neuch\u00e2tel (NE)<\/span>
\n01.12.2019, Culte au Temple de St-Blaise (NE)<\/span>
\nSoci\u00e9t\u00e9 de chant L’Avenir<\/em> de St-Blaise, Direction V. Naydenova<\/span><\/p>\n

Ratafiole<\/em><\/strong> (2017) pour soprano et piano<\/span>
\nHa\u00efku de Pierre Hugli (*1939)<\/span>
\n16.03.2019 au Lyceum club de Neuch\u00e2tel;<\/span>
\n17.03.2019 au Centre Ph\u00e9nix de Fribourg.<\/span>
\nMonique Volery, soprano,\u00a0Veneziela Naydenova, piano.<\/span><\/p>\n

Traum der eig\u2019nen Tage<\/em><\/strong> \/ \u00c0 la mani\u00e8re de Schumann (2018),<\/span>
\nTexte : Adelbert von Chamisso (1781 \u2013 1838)<\/span>
\n16.03.2019 au Lyceum club de Neuch\u00e2tel;<\/span>
\n17.03.2019 au Centre Ph\u00e9nix de Fribourg.<\/span>
\nMonique Volery, soprano,\u00a0Veneziela Naydenova, piano<\/span><\/p>\n

2018<\/span><\/h3>\n

Tebe poem<\/em><\/strong><\/span>
\n5.09.2018, Temple de M\u00f4tiers (NE), 20h<\/span>
\n8.09.2018, Neuch\u00e2tel, Basilique Notre-Dame (Eglise rouge), 20h<\/span>
\n9.09.2018, La Chaux-de-Fonds, Grand-Temple, 17h<\/span>
\nLe ch\u0153ur Yaroslavl\u2019 <\/em><\/strong>lien<\/a><\/span><\/p>\n

WP Dream Images<\/em><\/strong>, pi\u00e8ce pour piano<\/span>
\n20.07.2018, Veneziela Naydenova, piano, Pliska (BG)<\/span><\/p>\n

L’Oiseau, <\/em><\/strong>pi\u00e8ce pour piano<\/span>
\n9.07.2018, Anastasia Besso, piano,<\/span>
\nConcert au Lyceum club international de Neuch\u00e2tel<\/span>
\n8.07.2018, Anastasia Besso, piano,<\/span>
\nConcours international de piano \u00e0 Couvet (NE)<\/span><\/p>\n

Chocolat suisse<\/i><\/strong><\/span>
\n2.06.2018, Temple de St-Blaise (NE)<\/span>
\nSoci\u00e9t\u00e9 de chant L’Avenir<\/em> de St-Blaise, direction V. Naydenova<\/span><\/p>\n

WP Praeludium<\/em><\/strong> (2018) pour piano. Le Minotaure<\/em><\/span>
\n19.05.2018<\/span><\/p>\n

WP <\/strong>Ratafiole<\/em><\/strong> (2017) pour soprano et piano<\/span>
\nsur un ha\u00efku de Pierre Hugli (*1939)<\/span>
\n10.03.2018, Temple de St-Blaise (NE) (Premi\u00e8re)<\/span>
\nMonique Volery, soprano,\u00a0Veneziela Naydenova, piano.<\/span><\/p>\n

WP Traum der eig\u2019nen Tage<\/em><\/strong> \/ \u00c0 la mani\u00e8re de Schumann (2018)<\/span>
\nTexte : Adelbert von Chamisso (1781 \u2013 1838)<\/span>
\n10.03.2018, Temple de Saint-Blaise (NE) (Premi\u00e8re)<\/span>
\nMonique Volery, soprano
\nVeneziela Naydenova, piano<\/span><\/p>\n

2017<\/span><\/h3>\n

Le No\u00ebl des bergers<\/em><\/strong>, texte Jaques Bron<\/span>
\n09.12.2017, Concert \u00e0 la Chapelle de la Maladi\u00e8re, Neuch\u00e2tel<\/span>
\n08.12.2017, Concert au Temple de St-Blaise (NE)<\/span>
\n03.12.2017, Culte au Temple de St-Blaise (NE)<\/span>
\nSoci\u00e9t\u00e9 de chant L’Avenir de Saint-Blaise, Direction V. Naydenova.<\/span><\/p>\n

Tebe poem,<\/em><\/strong> chant pour ch\u0153ur mixte<\/span>
\n29.10.2017, Rousse, Bulgari\u0435; \u00ab\u00a0Morski Zvutsi\u00a0\u00bb, Direction Rositsa Shtereva<\/span>
\n08.04.2017, Varna, Bulgari\u0435 \u00ab\u00a0Morski Zvutsi\u00a0\u00bb, Direction Rositsa Shtereva.<\/span>
\nIV. 2017, Concerts en R\u00e9publique tch\u00e8que,\u00a0\u00bbMorski Zvutsi\u00a0\u00bb, Direction Rositsa Shtereva<\/span><\/p>\n

2016<\/span><\/h3>\n

Tebe poem,<\/em><\/strong> chant pour ch\u0153ur mixte<\/span>
\n18.12.2016, Varna, Bulgari\u0435<\/span>
\n\u00ab\u00a0\u0412 \u043e\u0447\u0430\u043a\u0432\u0430\u043d\u0435 \u043d\u0430 \u0420\u043e\u0436\u0434\u0435\u0441\u0442\u0432\u043e\u00a0\u00bb, \u041a\u043e\u043d\u0446\u0435\u0440\u0442 \u043d\u0430 \u0425\u043e\u0440 \u00ab\u00a0\u041c\u043e\u0440\u0441\u043a\u0438 \u0437\u0432\u0443\u0446\u0438\u00a0\u00bb, \u0412\u0430\u0440\u043d\u0430, \u0414\u0438\u0440\u0438\u0433\u0435\u043d\u0442 \u0420\u043e\u0441\u0438\u0446\u0430 \u0429\u0435\u0440\u0435\u0432\u0430 \u0432 \u0415\u0432\u0430\u043d\u0433\u0435\u043b\u0441\u043a\u0430 \u0431\u0430\u043f\u0442\u0438\u0441\u0442\u043a\u0430 \u0446\u044a\u0440\u043a\u0432\u0430 \u0412\u0430\u0440\u043d\u0430, \/ Varna Representative Civic Choir \u00ab\u00a0Morski Zvutsi\u00a0\u00bb, Rositsa Shtereva.<\/span>
\n15.12.2016, Varna, Bulgarie<\/span>
\n\u0425\u043e\u0440 \u00ab\u00a0\u041c\u043e\u0440\u0441\u043a\u0438 \u0437\u0432\u0443\u0446\u0438\u00a0\u00bb, \u0412\u0430\u0440\u043d\u0430, \u0414\u0438\u0440\u0438\u0433\u0435\u043d\u0442 \u0420\u043e\u0441\u0438\u0446\u0430 \u0429\u0435\u0440\u0435\u0432\u0430,\u00a0\u041a\u043e\u043d\u0446\u0435\u0440\u0442 \u0437\u0430 \u0420\u043e\u0436\u0434\u0435\u0441\u0442\u0432\u043e \u0425\u0440\u0438\u0441\u0442\u043e\u0432\u043e, \u0413\u0440\u0430\u0434\u0441\u043a\u0430 \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u0430 \u0433\u0430\u043b\u0435\u0440\u0438\u044f \u00ab\u00a0\u0411. \u0413\u0435\u043e\u0440\u0433\u0438\u0435\u0432\u00a0\u00bb \u0412\u0430\u0440\u043d\u0430\/ Varna Representative Civic Choir \u00ab\u00a0Morski Zvutsi\u00a0\u00bb, Rositsa Shtereva<\/span>
\n15.12.2016, Concert au Temple de Saint-Blaise (NE)<\/span>
\nSoci\u00e9t\u00e9 de chant L’Avenir<\/em> de Saint-Blaise, Direction V. Naydenova,<\/span>
\n27.11.2016, (Premi\u00e8re), Culte au Temple de Saint-Blaise (NE)<\/span>
\nSoci\u00e9t\u00e9 de chant L’Avenir<\/em> de St-Blaise, direction V. Naydenova,<\/span><\/p>\n

Ancien choral bulgare<\/em><\/strong>, pi\u00e8ce pour piano<\/span>
\nWP 05.10.2016, Veneziela Naydenova, piano, Pliska (BG)<\/span><\/p>\n

Le Clown, <\/em><\/strong>pi\u00e8ce pour piano<\/span>
\nWP 04.06.2016\u00a0(Premi\u00e8re), Anastasia Besso, piano,
\n8e Concours International de Piano de Fribourg <\/em>(lien)<\/a>, <\/em>Fribourg (CH)<\/span><\/p>\n

2015<\/span><\/h3>\n

Chocolat suisse<\/i><\/strong><\/span>
\n20-21 juin 2015, Soci\u00e9t\u00e9 de chant L’Avenir<\/em> de Saint-Blaise, direction V. Naydenova,
\nF\u00eate suisse de chant<\/em> 2015, Meiringen<\/span><\/p>\n

2014<\/span><\/h3>\n

Le No\u00ebl des bergers<\/em><\/strong>, texte Jaques Bron<\/span>
\n14.12.2014, Direction Samuel Emery, \u00c9mission Radio \u00ab\u00a0Kiosque \u00e0 musiques\u00a0\u00bb (lien<\/a>) ;
\nWP<\/strong> 13.12.2014, Direction Samuel Emery, \u00ab\u00a0\u00c9toile d’Or des Enfants\u00a0\u00bb, Payerne
\n<\/span><\/p>\n

Chocolat suisse<\/strong><\/em><\/span>
\n4-8.05.2014, The Student choir of the Belarus State Academy of Music<\/em>, Minsk, Inessa Bodyako,
\nau European Festival of Youth Choirs, <\/em>Basel (lien)<\/a><\/span>
\n<\/a><\/em><\/strong><\/span><\/p>\n

2013<\/span><\/h3>\n

3 Strophes\u00a0<\/em><\/strong>pour violon solo.<\/span>
\nWP<\/strong> 07.12.2013, Denitsa Kazakova, violon, Temple de Saint-Blaise (NE) (lien<\/a>)<\/span><\/p>\n

2012<\/span><\/h3>\n

Chocolat suisse <\/i><\/strong><\/span>
\nao\u00fbt 2012, Festival Choral International de Neuch\u00e2tel,<\/em> Neuch\u00e2tel
\n<\/span>The Student choir of the Belarus State Academy<\/em> of Music, Minsk, Direction Inessa Bodyako,<\/span>
\ngagn\u00e9 le Premier prix, le Prix Sp\u00e9cial du jury et le Prix du public\u00a0(lien) <\/a><\/span><\/span>au
\nFestival Choral International de Neuch\u00e2tel.<\/em><\/span><\/span><\/p>\n

2011<\/span><\/h3>\n

We pray\u00a0 for our planet<\/span><\/i><\/em><\/strong><\/span>
\n04.12.2011, Soci\u00e9t\u00e9 de chant L’Avenir<\/em> de Saint-Blaise, solistes: Vera Mogoutchaia, soprano et\u00a0Pierre-Eric Monnin, baryton, Laurie-Agn\u00e8s P\u00e9coud-Mihaylov, piano, Veneziela Naydenova, direction<\/span><\/p>\n

Herido de Amor<\/span><\/i><\/em><\/strong><\/span>
\n04.09.2011, Schubertiade de l’Espace 2,<\/i> Porrentruy
\nGraziela Valceva Fierro, mezzo-soprano, Veneziela Naydenova, piano.
\n<\/span><\/span><\/p>\n

We pray for our planet <\/em><\/strong>pour solistes, ch\u0153ur mixte, petit orchestre avec orgue,
\nd’apr\u00e8s We pray for Japan <\/em>de\u00a0Paolo Coelho (\u00c0 la m\u00e9moire des victimes de Fukushima, 2011)<\/span>
\n26.06.2011, Tente de Mill\u00e9naire, Saint-Blaise (NE)<\/span>
\n24.06.2011, Temple de Saint-Blaise (NE)<\/span>
\n22.06.2011, Basilique Notre Dame de Neuch\u00e2tel<\/span>
\n20.06.2011, \u00c9glise d’Auvernier<\/span>
\nWP<\/strong> 18.06.2011, Temple du Bas (Neuch\u00e2tel)<\/span>
\nCh\u0153ur du Mill\u00e9naire, Ensemble instrumental, solistes: Monique Volery, sopran et Michel Dumonthay, baryton, Veneziela Naydenova<\/span>, direction<\/span><\/p>\n

Herido de Amor<\/em><\/strong>, texte de\u00a0Federico Garsia Lorca<\/span>
\nWP<\/strong> 08.04.<\/span>2011, Graziela Valceva Fierro, mezzo-soprano, Veneziela Naydenova, piano
\nMontbenon, <\/span><\/i>Lausanne
\n<\/em><\/strong><\/span><\/p>\n

2010<\/strong><\/span><\/h3>\n

Chocolat suisse<\/i><\/strong><\/span>
\n4-6 juin 2010, Soci\u00e9t\u00e9 de chant L’Avenir<\/em> de Saint-Blaise, Veneziela Naydenova, direction,
\n25e F\u00eate des chanteurs neuch\u00e2telois, Fleurier<\/span><\/p>\n

L’Esp\u00e9rance<\/em><\/strong>, po\u00e8me d’Alice de Chambrier<\/span>
\n4-6 juin 2010, Ch\u0153ur cantonale, Veneziela Naydenova, direction,
\n25e F\u00eate des chanteurs neuch\u00e2telois, Fleurier<\/span><\/p>\n

2002<\/strong><\/span><\/h3>\n

Chant<\/em><\/strong>\u00a0pour ch\u0153ur d’hommes,\u00a0po\u00e8me de Fran\u00e7oise Surdez<\/span>
\nWP<\/strong> 06.10.2002, Culte d’installation de Fran\u00e7oise Surdez, pasteure
\nTemple de Cernier (NE)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

2026 CONCERT 6 juin 2026, Temple de Saint-Blaise (NE) \u00ab\u2009LES COMPOSITRICES DE NOTRE TEMPS\u2009\u00bb Irina-Kalina Goudeva (contrebasse et voix) et Veneziela Naydenova (pr\u00e9sentation et piano) Avec la participation de Milo, Emma et Keven, \u00e9l\u00e8ves de la classe de piano de V. Naydenova au CMNE. Le Clown, Emma Deleglise (piano) Les octaves, Keven Deleglise (piano) WP…Continue reading Past Performances | Veneziela Naydenova<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":157,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-243","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9rIUe-3V","_links":{"self":[{"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=243"}],"version-history":[{"count":114,"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/243\/revisions"}],"predecessor-version":[{"id":2613,"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/243\/revisions\/2613"}],"up":[{"embeddable":true,"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=\/wp\/v2\/pages\/157"}],"wp:attachment":[{"href":"http:\/\/veneziela-naydenova.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

L’Oiseau, <\/em><\/strong>pi\u00e8ce pour piano<\/span>
\n10.05.2017, Salle Faller, La Chaux-de-Fonds<\/span>
\n24.03.2017, Schweizerischer Jugendmusikwettbewerb <\/em>(lien<\/a>), <\/em>Gen\u00e8ve (CH)<\/span>
\n17.03.2017, Audition, CMNE, Neuch\u00e2tel (Premi\u00e8re)<\/span>
\nAnastasia Besso, piano<\/span><\/p>\n